This is Matt. His father was the first architect I worked with when I moved to Maine 17 years ago. I worked with his father for about a year and it was during that year that I met Matt. He had just gotten married and was starting a family and was busy building a house near his father's property.
I drove out to his house on a snowy day in February to do his portrait. I've been experimenting with filming the portraits so I set up a camera on Matt and another GoPro camera over my portrait to record a time-lapse video of the portrait. I don't usually like to draw and paint teeth so I usually suggest that people keep their mouths closed. Also, it's hard to maintain a smile over the course of the portrait which can last a couple of hours. But Matt was up for it so I agreed to step out of my comfort zone and paint him with a smile - which, I think, actually suits his portrait much better.
I struggled with it the entire time I was there and was so unhappy with it that I wouldn't show it to him. I told him I would figure out the problem, fix it, and he would see it when it was posted. Back in the studio, I figured it out. Of course, it was the smile and the teeth but it was also the amount of chin I had drawn below the upper lip. With the mouth open, the chin and jaw are much longer than I am used to drawing and I was not believing (drawing) what I was seeing. I learn something new in EVERY portrait.
The writing around Matt's head relates to a conversation we had while I was drawing him. And ironically, it contains the solution to the very problem I was struggling with during the portrait. I transcribed it from the video and it's about Matt's own effort at drawing portraits back in college where he tried to do portraits using a minimal number of lines to capture a person's likeness. I've started incorporating this exercise into my portrait sketches as well - so thanks for the idea Matt!!
12x16 pencil, ink, watercolor and acrylic in my huge Moleskine sketchbook. Text added digitally.