Showing posts with label Artrage. Show all posts
Showing posts with label Artrage. Show all posts

Tuesday, March 28, 2017

Leslie


This is Leslie. She and my wife work together and have become good friends over the past 2 or 3 years. She's a great cook and hostess and pulls together the most fabulous parties. Occasionally, I'll come home and Leslie and Valerie will be hanging out playing cards or working and it will morph into Leslie making the most awesome dinner from the simplest ingredients.

This portrait felt different for me. For one thing, I decided to change over to acrylics from watercolor within the first few minutes of starting to paint. I wanted more texture or character than I felt that watercolor could give me. Secondly, I tried and, at least on some level, succeeded to let go of my usual attempts to appeal to do a portrait that she would like. I've been noticing this "concern for what others will think" almost always creeps in with these "live" portraits and usually makes me tighter in the drawing and painting than I like to be. So lately I've been trying to buck this concern believing that it "compromises" the portrait on some level. Maybe, by using a less familiar medium, I took my mind off one thing ("concern for what others will think")  and put it toward dealing with the more technical and mundane issues of getting paint to do what I wanted. Regardless, I'm happy with the freedom I felt in doing this portrait and think the brush strokes, lines and scratches and rich saturated color reflect Leslie's character. Come in close and take a look.

12x16 pencil, acrylic and ink in my huge Moleskine sketchbook.

Friday, March 24, 2017

Aidan


This is Aidan. I've known him since he was a baby. He and my son went to preschool together. I remember taking my son over to his house for a play date one day when they were around 4 and Aidan got in trouble for something and his mom sent him to his room for a "timeout". Two minutes later I saw him running across the lawn in his underwear with a big smile on his face. Four walls couldn't contain him. He had climbed out the window and found freedom.

I did this portrait just a few days before he headed off to college. He's a good guy - smart, kind, athletic, and artistic. But don't let his good looks and calm demeanor fool you - he has a wild side.

12x16 pencil, ink, watercolor and acrylic in my huge Moleskine sketchbook.

Wednesday, February 15, 2017

Jonathan


This is Jonathan. I first knew him as a builder. He would occasionally bid on projects I had designed. But when I met with him recently for his portrait he described his transition towards politics - a transition from shaping living environments to shaping an environment we can all live in. For months leading up to the elections in November, I saw his signs along the roads so when he agreed to let me do his portrait I was eager to learn more about what inspired him toward this new direction.
He told me a story of being out on his sailboat on Penobscot Bay with his grandson on a beautiful summer day. Everything felt perfect - the light, the weather, the setting, the joy in the eyes of his grandson, and the connections to everything and everyone. It all felt right. He looked at his grandson and saw that he was living in that same moment of connection with him. Jonathan described this moment and the moment that followed as one of the big pivot points in his life. The next thought he had was that his grandson would not grow up to experience this kind of world with his future grandchildren due to the impacts of climate change.
I believe moments like this are so powerful in our lives because we see the contrast so clearly. For Jonathan, he not only saw and felt this powerful contrast, he looked within himself and at his life experience and abilities and decided, to borrow a phrase from Gandhi, to make and be the change he wanted to see in the world. In talking to him, I came to see he had thought through many important issues beyond climate change and was comfortable both listening to and articulating reasoned positions. We need more politicians like Jonathan. We need more sunshine.
12x16 pencil, ink, and watercolor with Artrage.

Sunday, February 12, 2017

Anneli


This is Anneli. I think rather than try to write a story here about Anneli I will simply copy and paste one of her facebook posts here. She's a painter, activist, mom, graphic designer, adventurer, writer and all around great person to know. I loved hanging out with her and painting her portrait. We actually collaborated on this one. I painted in pencil and watercolor and left it for her to work on. Then she painted in the background with oils. She dropped it off yesterday and I photographed it and continued working on it some more in Artrage 5, a digital painting software.

This story by Anneli comes from an adventure she took last year with her friend, Jonathan, traveling from Maine to Iceland on a container ship.

Day 5, Friday | Amuse-Bouche
We left Newfoundland last night after 12 hours loading, unloading, and fueling up before our ocean crossing. It took us about 3 days to get there from Portland, Maine. I had really big plans to write an entry every day, but have now realized I will just have to write when I have the opportunity. Mainly because I can no longer remember what day it is, and just to further mess with us they keep pushing the clock forward a half or a whole hour every day.
Argentia, Newfoundland is a small Canadian port out in nowhere, far east at the edge of the ocean. We woke up yesterday morning to see a landscape out our window that was reminiscent of Lofoten, Norway, with its dramatic and exaggerated mountains. There were people on small skiffs cruising the bay picking off puffins with rifles before scooping them into nets. FYI: Up here, guns don’t kill puffins — men and women in black ski masks kill puffins. The port was literally a concrete dock with a few small buildings and pretty much nothing else. No stores, restaurants, shops — it is about as functional as it gets. So much for tax-free shopping — not that we need anything.
Since we started on this trip, Jonathan and I have been literally and figuratively stunned by the amount of hearty food we’ve been served. Not just some Cheerios from a box, either — serious, home-cooked, no-bullshit hot meals at 8:00, 12:00, 18:00 — and for good measure there is some sort of baked pastries and coffee at 15:00 just in case the other three meals aren’t enough to give you cardiac arrest. If you have a problem with gluten, meat, or sugar — this trip is decidedly not for you.
Yesterday everyone had their hot breakfast as usual and suited up to go out and do their respective jobs. This was really the first time we had an opportunity to see them in action as they secured Selfoss to the shore and started a long, hard day juggling massive containers on and off the ship, in a snow shower no less. One thing is increasingly apparent: this is no work for pussies. The alcohol ban on board makes a lot more sense when you understand what a detail oriented job this is. Mistakes can result in huge losses, not only in profit but in lives. Precision and safety are everything.
Knowing this, our meals make more sense as well. Hearty traditional food for hard work — but it also it means important downtime for the crew. Something steady, dependable and enjoyable. A family meal of sorts where everyone gathers for their food. And arguably a nice reward for not dropping a container on someone. The food is the social connection, along with hanging out in the smoking room. Kalli tells me that the “smoking room” is a newer concept, that smoking used to be an important social connection between all the crew onboard, a common pastime that has been somewhat toned down by the designation of a specific area for this activity.
“I guess I need to start smoking,” I tell Kalli. I’ve probably smoked a half a pack since the beginning of the trip in second-hand smoke alone.
He shrugs, “It’s never too late to start.”
Just a few days ago, still somewhat full from some delicious hot lunch only a few hours earlier, I’m working in our cabin when Captain Kalli comes by. Jonathan is presumably hanging off the ship somewhere like a squirrel with his GoPro.
“There’s a special surprise for coffee time today,” he says.
Naturally, I’m delighted at this unexpected news. I love surprises.
“Where is Jonathan? There’s a surprise for him, too,” he continues.
“Oh, I’m sure he’s still on the ship. Hopefully.”
Excited by the prospect of a surprise, I scurry down to the mess room and am met by Jona, the only female crew member. She is holding a plate for me. The anticipation is palpable.
A cream puff! Who doesn’t love cream puffs? A cream puff shaped like a…
A chocolate covered penis cream puff.
I burst out laughing. Jona is visibly pleased.
“I made these for you,” she says, proudly. “Here’s one for Jonathan,” she shows me the plate with a pair of beautifully formed, perky breasts.
Jonathan is not yet here and has no idea that a spectacular set of boobies are waiting for him along with some delicious cocoa.
“You are an artist, Jona.”
I’m about one coconut sprinkled testicle in when Jonathan shows up and receives his plate, somewhat dumbfounded. He clearly wasn’t expecting this either.
“You get the boobs,” I say matter-of-factly in-between a mouth full of balls. There really is no proper etiquette for eating these sorts of things.
I look around and can confirm that everyone else has normal cream puffs. I am at once honored and flattered. After eating the lamb testicles in aspic a few days ago, I feel that this is some sort of reward. We’re officially in now. Phallic karma.
Done with my cream puff, and after a few highly inappropriate comments about the pastry that I won’t mention here, I head for the smoking room.
I think I need a cigarette.

Wednesday, February 8, 2017

Rebecca


This is Rebecca. I met her the day I did her portrait. She's Truth's step-daughter. You may remember Truth as I posted her portrait here just a few weeks ago. Anyway, when Rebecca found out what I was doing with the Portrait Project, she volunteered to sit for me.

Rebecca and Truth came to the house one cold Sunday in early January and I set it up so that Rebecca sat across from me at our dining table. Truth sat at the other end and worked on her latest knitting project - the pussy hat. I sketched this portrait in my large 12x16 Moleskine and put a fair amount of watercolor on it. This morning I did a little more work on it before bringing it into Artrage 5, a new version of one of my favorite painting software programs. I played around with some of the new brushes and tools and added the flower background.

Thursday, February 2, 2017

Nick


This is Nick. You can see the first portrait of Nick that I did a couple of years ago here. You really have to see both of them to get a better sense of Nick's personality.

For this portrait, Nick came over to our house a few days before heading back to college after Christmas break. He sat across from me at our dining room table while I sketched and we talked.

Today I took a photo of my sketch and was trying to decide what else it needed before posting it and I thought back to the first time I really got to hang around Nick. I had just separated from my first wife and Alex (my son) and I had moved into a small cottage that happened to be right next door to Nick's family. Alex and Nick became fast friends and spent a lot of time hanging out together in and around that cottage. We only lived there a year or so and then moved to another house a few blocks away from the cottage. Anyway, I remembered a sketch I did about 10 years ago sitting at the dining table in that little cottage and sketching the view out of the window and I thought that would make a perfect background to Nick's portrait. It took me awhile to find the sketchbook it was in but I did and scanned it into the computer and put it "behind" Nick's portrait digitally. It's a little strange in a twilight zone kind of way but it carries a special meaning for me now, and maybe it will for Nick too.

12x16 Pencil, pen, ink, and watercolor in my huge Moleskine sketchbook.

Monday, January 30, 2017

Janet


This is Janet. She was one of my mom's best friends from the time they met shortly after my mom moved to Maine in the early nineties until my mom's death in 2008. Whenever I see Janet around town we always stop and talk for awhile and she usually is wearing something that she was either given by my mom when she was alive or that she bought when her estate was sold. She always says something kind about my mom that was meaningful to her and these little connections and her expressions of love mean the world to me (though I don't believe I have ever told her that).

When I asked Janet if I could paint her portrait she said she would be happy to but asked if she could knit while I was painting her. "Of course", I said. She is a doer. Her hands are much prettier than this portrait would suggest but they came out just the way I wanted. Artistic license and all that...

12x16 pencil, watercolor, and acrylic in my huge Moleskine sketchbook.

Tuesday, January 10, 2017

Truth


This is Truth. I met her a couple of years ago at a weekly life drawing group we both attend. Her actual name is Truth Hawk. I really don't know of a woman with a cooler name than that.

I did this portrait almost 3 months ago when I first announced my intention to do live portraits of all of my Facebook friends. I think Truth was the first to say yes to the idea so we scheduled it right away. At about the same time, life got busy with other projects so I put off scheduling any more portraits. Anyway, I'm back.

Monday, December 12, 2016

A Buddhist Story


Here is the final story and illustration. The story comes from Stories of the Spirit, Stories of the Heart by Christina Feldman and Jack Kornfield.

Saturday, December 10, 2016

Hand


At Waterfall Arts doing a hand study. I did both but liked this one best. Messed with it some more in Artrage. 

Thursday, October 27, 2016

Stephen


This is Stephen. He's a plywood artist and I absolutely love his work. He makes really cool stuff out of plywood - vessels, fine art, coffee cups, etc. A couple of years ago we worked on an inkwell design together and he built me a couple that I love and use practically every day. Anyway, we've been talking lately about him building a couple plywood panels to replace the two metal gas tank covers on my Ducati Scrambler motorcycle. So, a couple of weeks ago I rode out to talk about it with him and asked him if, while I was out there, I could do his portrait.

It was a perfect autumn day so we sat out on his back porch and caught up with each other's lives while I sketched. I brought my large Moleskine sketchbook (12"x16") which I knew would be ambitious for just an hour sketch. Well, the time flew by for me, as it so often does when I'm sketching/painting and before I knew it, my time was up. I didn't especially like the portrait I painted so I took a photo of Stephen with my phone with the plan that I would fix it back in the studio.

I have mixed feeling about this portrait now that I've "fixed" it in the studio. Part of me feels like I've "cheated" - it's sort of half live and half from a photo and therefore not true to my proclaimed effort of doing live portraits. But then the other part of me says I didn't have time to "complete" the portrait so it's fair that I use a camera to so that I can bring the portrait to a satisfactory conclusion. 

Thursday, October 20, 2016

Fire in the Hole


Don't you know
There's fire in the hole
And nothing left to burn
I'd like to run out now
There's nowhere left to turn
- Steely Dan

Monday, June 20, 2016

Alan


This is Alan. I first met him about 12 years ago when he called me looking for an architect/designer to help him renovate a building out in Montville, Maine that he was developing into an artists retreat. We worked on the design for a few weeks but he ultimately decided (wisely, I think) to put his energy and vision into creating Waterfall Arts, a contemporary community art center in Belfast, Maine that has been instrumental in helping to cultivate a thriving art scene in the Midcoast.

8.5"x14" watercolor and pencil with Artrage. #250





Tuesday, June 14, 2016

Kate #2



This is Kate - again. This is the other portrait I was working on at the same time I was working on the last portrait I posted. She looks like a model here. I imagine what was really going on is she was goofing around with her friends and she struck a classic model pose and after the photo was snapped she broke into laughter.

This was a pencil drawing that felt unfinished to me for a few days. I was thinking about adding color and came across a facebook post of a color wheel done in watercolor by my friend Jessie Chapman - an architect and artist living in Virginia. It was posted on Sunday with #love and I understood it to be about the shooting in Orlando. It represents the solidarity/love that many of us feel with the LGBT community right now. And it seemed right for Kate's portrait.

11x17 Pencil in my huge Moleskine sketchbook with Artrage.#249.5

Friday, June 10, 2016

Kate


This is Kate. She and my son were classmates when they went to Montessori fifteen years ago. She was an adorable girl then and has grown to become a beautiful young woman in so many ways. I made two portraits of her because I couldn't decide which photo to use. I worked on them both at the same time in my huge Moleskine sketchbook, flipping back and forth. It was kind of interesting doing it that way because she was a few years younger in the photo I worked off of for this portrait but my portrait makes her look a few years older - closer to the way she looks in the other portrait I was drawing - closer to the way she looks now.

I wrote "u are free" all over her face. This was a phrase that got stuck in my brain when I was in Nepal recently. It's not entirely random that I wrote it on her but I also don't know exactly why I did - I could say that about so many of the things I do to these portraits. I am aware she has visited Nepal and has an affinity for the people there and that part of the world. For me, "u are free" became a mantra of sorts. Something I would think about from time to time. Am I free? What does it mean to be free? Are any of us really free? I saw it written in spray paint on a brick wall on the drive from the airport in Kathmandu to my hotel. A simple piece of graffiti that got stuck in my brain and now it's a value for Kate's portrait. If you have any thoughts about this portrait or the phrase "u are free" I would love for you to comment.

11x17 pencil in my huge Moleskine sketchbook. #249

Monday, December 21, 2015

Norberto


This is Norberto. He's an urban sketching friend living in Buenos Aires, Argentina.This is another one of my "collaborative" portraits where the portrait is my sketch and the background is Norberto's work. I love his work. Loose but powerful linework and strong perspective combined with inks and watercolor washes that move your eyes to just the right places.

8x10.5 pencil and watercolor in my grand portrait sketchbook. #244

Wednesday, October 21, 2015

Rie

This is Rie. When I was in the 6th grade I started riding motocross with her younger brother, Vincent. I would go over to their house after school and we would ride and then hang out. Unfortunately, I've lost contact with Vincent over the years but seeing Rie's Facebook feed come across my timeline every now and then connects me to a time of great memories.

15x15 watercolor and pencil with Artrage to clean it up a little. #226

Thursday, October 8, 2015

Nancy Kate


This is Nancy Kate. She's my Aunt from Texas- my mother's sister. It was her birthday yesterday - she's 80. For her birthday, her daughter asked the family to come up with 5 reasons we love her and then she's going to make a list of 80 reasons we love her. One for each year. So this morning I was writing them down (because it was my last chance) and I had the idea to do them within a portrait. Nancy Kate is not a Facebook friend because she could care less about Facebook or email or computers. She is definitely old school. But I decided that she should be a part of the Portrait Project - so here she is. And Happy Birthday!

11x15 pencil, ink and watercolor on Strathmore Illustration Board with a little Artrage to add Corinthians 13. #217